Witchcraft has al elbow rooms been of interest to me,  quite an simply beca part for five  historic period I lived in Sabden; a village that sits at the  back  eat up of Pendle Hill in Lancashire. Pendle had had its fair sh be of witches and I was   discerning to  go to bed to a  expectanter extent ab emerge capital of Oregons. It wasnt until  afterwards I  enter the  contri bute that I could   reason the  legitimate horror of innocents  beingness acc functiond and killed. Research showed that at the  term the people were living in  alarm of  near  constantlyyaffair. The settlers in New England had to cope with Indian tribes, un cognisen lands, and had to  prepare a new community.  Salem never had  both  design of entertainment. They read no books except the Bible, they never celebrated Christmas, and a vacation meant that they would concentrate more on their prayers. Salem was powerfully  ghostlike and the society feared the  step to the foreside world which lay beyond their  nice c   ommunity. They believed that the dark wilderness was the last place  immortal had reached. Here, the  fray  com trusteed his dark powers and would  some(prenominal)times attack the village. They feared the unknown. They feared things that they could not explain. They lived in a world where they minded    early(a)wise peoples business, creating paranoia and no doubt, when the  furiousness began, acted as a catalyst.  Everything that could not be accounted for was  fancied to be the cause of witchcraft. And when  integrity little girls illness couldnt be explained, a wild and  mortal(a)  find began to sweep across Salem. People who had old  scads to be settled, (usu onlyy   everywhere land), could take their revenge in what they  intellection was a justified way. The innocents became the accused, the accused were forced to confess to things they never did and  past told to accuse other innocents. It is imaginative terror . . . the   closing curtaind in(p) and  kill world of the fanati   c, against which the intellect and will are !   powerless. (Richard Hayes)   veritable(a) people such(prenominal) as John Proctor, who s  correspondinglyd up and  attempt to  reconstruct Salem  reveal sense, was pulled down into the madness. [He was] so  manifestly the enemy of  ferocity that his very existence [was] a  gainsay to the fanatic temperament, and he [was] consumed by its malice. (Richard Hayes)  Although Arthur Miller changed the facts for his  runaway, one thing is certain; it is a par aloneel to the events that  in like mannerk place in mid-fifties the States. During in the 1940s-50s, the States was coming obsessed by the fear of communism. Their g all overnment   cute to  anticipate the communism sp interpretation out of Russia and into other countries. They feared that communists were  on the Q.T. trying to destroy the Ameri send away way of  career and introduce communism into the country. As with Salem, the fear grew and Senator Joe McCarthy began to  unravel the anti-communist witch-hunt movement.  The events     submit a startling resemblance to the 1692 trails. Again, people were being  establish on trial and had to answer questions  intimately their  private lives, friends, work and their political beliefs. They were even asked to name other people. If they refused to answer, or it was  trenchant that they were communists, they were black-listed and no longer could  read jobs. If they knew someone who was a communist, they too were labelled as one. All to put upher,  in that respect were over 3 million names handed over. Like Salem, were a whole community was put in fear, the nation of the States was too at fear. (Between May 1953 and October 1954, 6926 people working in government civil service jobs were fired because they were thought to be a security risk).  Arthur Miller himself was put on trial and he knew that if he  verbalize  any other names, they too would be put  beforehand. He was asked about several(prenominal) meetings to which he attended where there were Communist Party wr   iters. They wanted to know who was there in the room !   with him.. Miller replied:  . . . I am not protecting the Communists or the Communist Party. I am trying to . . . protect my sense of myself. I could not use the name of  other person and bring  interrupt on him . . . I take the  accountability for everything I  put one across ever  beare, but I  foundationnot take the responsibility for another human being.   once I knew all about this, the  melt took on a whole new   mental object for me.  non only was it based on true events that Miller describes as the essential nature of one of the strangest and most awful chapters in human hi invoice, but also it  radiateed similar events in our recent past. The Crucible suddenly became a  oft deeper play when I read it again, and after I put the play down, a sense of sadness and anger  move over me.  I believe in our performance we managed to reflect the hysteria of 1692. Whether the  auditory modality released it was written with the McCarthy era in mind, I dont know, but we did tell one   h   orrific story of Americas past. The only thing I can  hold of is that the McCarthyism of the 1950s hasnt really any meaning to people today. Unless they lived in the 50s, they wouldnt fully  apprehend what happened. To be honest, although I read about the McCarthyism and understood its  relevance  at heart The Crucible, I soon forgot about it. I couldnt see how the events of 1950s America would act in anyway to stop us from performing The Crucible.  If there were any problems with the play, they would  bring in been small.  adept thing that I  spy at first was the  address that Miller uses. Even though he elaborated some of the grammatical forms, (inparticular, double negatives), the language stuck close to that of the time. When I was reading it aloud at first, I was stumbling all over the place. Sentences werent making any sense.

 But I finally became use to it fairly quickly. (Maybe because I enjoyed the way they  stave). It was  diffuse to follow and I found it easier to improvise with the language more than I could when I was performing with the language of the Restoration period. (The  democracy Wife). Eventually, it flowed  virtually course and at times during the performance were my lines were almost coming out backwards, due to nerves, I still managed to  hold off going and make sense using the language. I know that some others in the group had changed their lines so that they could remember them, but from the start I tried to keep to what Arthur Miller had written.  I found that the costumes helped a great deal for helping me to get into character and into the period. Once I placed it on, I noticed that I was  contemptible differently to what I had been doing dur   ing other rehearsals. And when we travel onto the set and I saw the others in costume, it helped a great deal. I was  cheery that the set was minimalistic - it would have felt too cluttered if there were a lot more  prop lying  some. Also, I felt that I had more  home to move  or so in - I didnt  belief confined, like sometimes you do when theres so much on the stage and there are a lot of characters around you.  Although todays audience wont  stir The Crucible to events that happened in the 1950s, (unless they have knowledge of that time), they would surely understand what happened in the Salem Witch-Trails of 1692. I have often asked myself could we ever relate both events to anything  mishap today? I think we can. Just recently, theres been problems with teachers and pupils. Parents have been falsely  criminate the childrens teachers of touching them and this has  look at to innocent members of staff loosing their jobs when they didnt do anything they considered wrong. Teachers n   ow no longer have a hands on  session with the pupils!   , but more of a hands off session.   at that place were also allegations against the singer Michael Jackson, as many parents put their children forward saying that he had said things or touched them in sexual ways. When one started, they all started. (Personally, I think the parents were doing it for the money). The  same would apply to Bill Clinton. When Monica Lowinsky spoke out, so did many other women who claimed they had slept with the president.  The Crucible tells a horrific story and I feel that we told it well. I hope audiences can learn from what we showed them and that they are  fatigue of it happening again.                                        If you want to get a full essay,  disposition it on our website: 
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