Advantages and Disadvantages of the Internet on Music

Advantages and Disadvantages of the Internet on Music Internet speeds and media convergence have increased the promise of new delivery of content and information. This change has been strongly driven by increasing technological advances; combined with the increase in the rapid uptake of broadband technologies has lead to the increase in broadband penetration. The Internet, due to several factors such as; the increase number of competitors, scale and the increase of speed, have largely affected how the public consume information and have therefore forced companies to re-evaluate their current distribution models but also invest more into technologies that support this upward trend. One such technology product at the forefront of this economical and socialocial change is music distribution. Online Music distribution market is due to grow significantly within the next few years, forcing record labels and retail giants to reconsider their current business practices and model to accommodate this trend. The music industry has always been at the forefront of technological advances, and has the ability to transform its product to multiple mediums to promote the message. Understanding how music is digested is key to understanding how the diversification of the product has significantly changed over the years. Radio lead to records and the compact disc, while now due to the increase of sharing platforms online and the popularity of MP3 players such as the ipod have allowed or some would say encouraged users to licence unauthorized downloading of copyrighted content. Although the music industry has pushed for and placed more pressure in convergence of technological products both software and hardware, developments in online music also raise significant challenges that are likely to be relevant for other digital content sectors as well. The below paper aims to indentify the opportunities and disadvantages the Internet has had on the music industry. The first part of this paper aims to give a brief history of the music industry and what has essentially how it now uses the Internet as a key distribution network. Part two of the paper aims to specify the key opportunities that the Internet has provided the music industry. For all the opportunities, several key challenges the Internet has placed on progression of music industry. Part three aims to analyse these challenges in depth. Finally this paper does not provide a solution towards the challenges identified rather provides a framework in where these challenges are identified and discussed. MUSIC INDUSTRY: A BRIEF RECAP The music industry has always been at the forefront of technological developments. It has contributed or some would say encouraged developments within the commercial environments, entry of new players and new ways to consume music and generate revenue. The Internet allows for new forms of advertising and allows easier access and lower entry points for artistic creation and distribution of music. In 2004 a stream of legitimate music sources became available, which up until then the majority forms of music distribution were illegal. Apple iTunes lead the charge and significantly changed the music landscape by offering a one stop shop that provided a consistent easy to use format that allows customers to pay for songs they want rather then have to purchase full albums as previous forms have focused on. By the end of 2004, there were 230 sites offering over 1m tracks online in the United States and Europe. In 2004, over 200 million songs were downloaded from legitimate services up from 20 million the previous year, which grew streaming on demand, Internet radio and personalised services. (http://www.key4biz.it/download/Digital_Broadband_Content_Music.pdf) 2005 saw the rise of mobile music i.e. ring tones, and saw the increase in popularity of other formats such as music DVDs. It appears demand for music has increased through digital distribution methods and has lead to other forms of music consumption (streaming radio, video clips on DVDs as previously seen on network such as MTV and channel V). Although having gained such popularity the online revenue accounts attributed from these products only accounted for 1-2% of the total revenue. The digitalisation of music has been the main drivers in global technology markets. Although revenues derived from online music sales (hardcopy softcopies); the increase in revenues for hardware for PCs are currently higher then that being derived for music sales/streaming. Through a combination of new business models, new technologies and innovative services provided for consumers the market is developing rapidly to realise the potential for online music. The biggest challenge still remains to be controlling piracy while developing models, which are still economically suitable to consumers that also allow for new participants to enter the market. OPPORTUNITIES The digitalisation of in high quality sound provided an additional boost to the music industry with the compact disc being the lead seller for many years; although new formats such as Sony Mini Disc and Digital Compact cassettes (DCC) were introduced they did not provide to be a huge success. Mainly due to the lack of groups of hardware and software not being compatible. Funnily enough CDs still make up for the majority of sales being made online. Apart from booming CD sales, the rise of digital technology and the Internet in at first and due to digital unauthorized downloading proven to be more of a challenge than an opportunity to the music industry. EASE OF ENTRY INTO NEW MARKET Entry into the music industry through the Internet is no longer reliant on record deals with major labels rather allows for up and coming musicians upload and distribute their music via other means. English singer Lilly Allen is a perfect example as Allen success was largely due to the fact she was able to release and promote her own record on the social networking page MySpace. It was only when her songs grew their own fan base reaching over tens of thousands online streams she was offered a record contract with Regal Labels. (Wikipedia) Such an examples exemplifies the Internets impact on artists being able to distribute their own records without the support or aid of larger corporations. EASIER ACCESS TO THE PRODUCT A Larger volume of distribution methods allow for an increase in overall competition; which in turn have an overall effect on the cost of products available. Retailers and record companies had far more control over pricing of products when limited to physical products when confined to gaining foot traffic. Now with introduction of online sales methods whether it be ordering the physical copy from Amazon.com or simply purchasing through catalogue like stores such as iTunes price has become a key differentiator on whether uses purchase their music (whether digitized or hard copy) online. DISEMLING OF PRODUCTS With that in mind, the evaluation of how users consume the products have also been called into question. As the Internet has allowed record labels and artists to critically evaluate how consumers utilise their product. Although in 2003 CD sales were at an all time high, the increasing number of Peer-2-peer networks brought down the volume of CDs being sold and had record companies evaluate cost models. The ipod/iTunes effect has been forcing record labels to re-evaluate business models as there has been increasing importance placed on selling singles rather then full albums became a more advantageous for consumers as they could purchase songs are a more cost effective rate that were more valuable to them then purchasing full albums. (http://www.wikinvest.com/concept/IPod_Effect) TECHNOLOGY CONVERGENCE The convergence of products such as digital audio players, have been able to establish themselves independent of other electronic device and replace older listening devices. The main reason for such devices are to provide portability but also ability to replace dedicated products such as walkmans with converged devices such as the mobile phone or PDAs. Such developments of these products are strongly influenced by the Internets growth and uptake of e commerce networks such as iTunes. The overall influence the Internet has had on such an ecommerce transaction places the importance on having the sufficient hardware and software to continue these advances. MALAUABLE The ability to download digitalised versions has several added benefits for customers. The ability to make copies if the hard copy or device becomes defective. While customers are able to customised their libraries and make CDs and play lists according to their tastes rather then have to conform to Record Company choices for a customer. Also the music becomes more valuable to the customer if theyre able to adjust and include the music into their own productions such as multimedia videos or presentations. CHALLENGES OF THE ONLINE MUSIC INDUSTRY The online music distribution has provided one of the greatest platforms for technological developments and also helped in the uptake of e commerce practices in OECD countries. (BIBLIOGRAPHY) PEER 2 PEER NETWORKS AND THE AFFECT ON PIRACY The Internets early success was significantly due to the file sharing capabilities otherwise known as peer-to-peer networks. The innovative technology is becoming increasing important in expanding communication. Such programs that have reaped the benefits of this technology include Skype, on demand video streaming or share proprietary information in the services industry. Although the ability to share large volumes of data easily and quickly is appealing to the vast majority of consumers there is significant concern has about P2P networks and the ability to transfer large volumes of unauthorised content without the consent of the relevant owners. The majority of file sharing software transfers music files but has now expanded beyond that into digital content areas as well. Piracy not only affects copyright owners; essentially impedes business funding legitimate avenues of distribution. The biggest challenge businesses face with piracy is finding ways to control piracy while attempting to develop new revenues streams from digital distribution networks. Music Labels and other content providers have placed significant pressure on governments and ISP providers to help aid in the prevention of the use of illegal distribution of content. Some Film distributors have gone as far as suing Internet providers for their lack of intervention in use of illegal down loading. In the case of Film Companys iiNet sued for allowing piracy. The Australian film and television industry has launched a major case against ISP provider iiNet for allowing infringement of copyright. Although the case is still under way the no known legal action has been started by Music Companies but seems to be the way large corporations are facing if governments do not start intervening. The digital revolution happen significantly quickly while the infrastructure and legislation of rights lagged behind, leaving behind several issues that have yet to be properly addressed. The unauthorised use of file sharing presents a significant challenge to copyright owners; although these programs allow for the music or product to have more mass appeal and spread more conveniently the transference of intellectual property is the equivalent of intellectual theft. The RIAA (Recording Industry Association of America) a trade group representing the Music Industry charged P2P groups enabling them to effectively steal and share music. Which has essentially have lead to the decline in CD sales. Such lawsuits saw the removal of Napster being available for the public to utilise. The interest of the music industry affects many stakeholders within the value chain, from artists to ISP providers who also seek to derive revenue from online music distribution. LACK OF GOVERNING BODIES TO MONITOR BEHAVIOUR To essentially survive, the market needs to create new business models and allowing for new solutions that adequately addresses the challenges that have been identified above. One such solution has seen increased pressure on government to enforce solutions that dont stifle creativity but are able to maintain the effective copyright protection in the online environment is required. However this will be reflective of individual markets while the problem is seen to place global pressure. LACK OF INTEROPERABILITY One significant challenge for the Internet within the Music industry is with the increase of technology; the array of incompatible audio and DRM formats essentially could lock consumers into specific standards, which therefore could hinder the growth of the music industry i.e. songs purchased within the Apple iTunes Music Store cant not be used on other devices which make this virtually impossible to share music with friends or resell the CDs if the customer tires of the song/product. LOSS OF SOCIAL COMMUNITY CDs and albums have survived on the talk ability factor of the products. Customers often recommend songs to their friends and social networking sites to promote their favourites artists. The inability to share the hard copy of songs through DRM systems prevent the ability to provide friends a copy of the songs as the products downloaded are generally limited towards a number of computers. Having said this, although it breaches on issues of privacy the talk ability function of these products and therefore limit the ability to advertise their product to the core audience group. CONCLUSION The Internet has provided a new platform for distribution for both the physical product but new formats of music as well. The industry as a whole has significant increase and support on its products; key challenges highlighted tend to be on a larger scale where increasing government pressure to reform and fix piracy issues transcends not only just within the music industry but transcends across all aspects of digital content. It is important that ways are found to harness the technological capacity of innovations so that incentives for the creation and distribution of original works are not only maintained but also enhanced.

Sexual Dancers, Slang, and Cheap Junk Food Essay -- Gender Discriminat

In 2009, Burger King unleashed a new commercial for its collection of bizarre fast food advertisements. Before this one, most of their sexually appealing takes were intended for an older audience. The â€Å"Spongebob Got Back† commercial, however, advertised the 99 cent kids’ meal. The commercial aired on television has a longer version on YouTube. It begins with the screen centered on the burger king, with three females behind him in brown shorts, a white shirt, and socks to match Spongebob’s attire. They break into a remix of Sir-Mix-a-Lot’s â€Å"Baby got Back,† that begins, â€Å"I like square butts and I cannot lie.† Soon enough, the three female dancers have their backs to the camera with what looks like phonebooks in their pants, wiggling their behinds. A female in a red short dress appears and her hindquarters are quickly measured, as are those of the other females in later scenes. The rest of the commercial consists of the females da ncing in a sexual manner, and even bending down with their behinds to the camera. Meanwhile, the king walks around mimicking a rapper and attempting different dance moves and Spongebob and his underwater characters dance inside a television in the background. In several cases, he pokes at a female’s rear end or points at it. At the end of the satire, the king holds up a paper bag with smiling Spongebob and Patrick on it, and the 99 cent kids’ meal is announced. Although the short version of the commercial was debuted in a men’s basketball game, it later sneaked its way in between cartoon shows on Nickelodeon. The â€Å"Spongebob got Back† commercial objectifies women by promoting sexual behavior, which leads to desensitizing youth to physicality and street slang. The commercial taps into men’s need for dominanc... ...g junk food with dancing women is inappropriate enough, and advertising a kids’ meal in a sexist manner that evokes sexual behavior is the main reason this commercial was banned, yet it is still available for view by anyone on the internet. Although inappropriate, this commercial says a lot about how society views women as objects, by overturning the image of a children’s cartoon. Works Cited "Urban Dictionary: Rumpleforeskin." Urban Dictionary. Web. 26 Jan. 2012. . "SpongeBob Got Back with Burger King + Sir Mix-a-Lot - YouTube." YouTube - Broadcast Yourself. Web. 26 Jan. 2012. "Square Butts Burger King Music Video with SpongeBob Square Pants - YouTube."YouTube - Broadcast Yourself. Web. 26 Jan. 2012. .

ABO Blood Test to Determine Paternity Essay

The ABO blood test was used in this lab to test which of the three fathers is the blood father of Andrea. The blood test that is closely related to the blood type of Andrea is the respective blood father. Each blood sample was mixed with synthetic anti-A, anti-B, and anti-Rh to test for clotting or not. Father #3 and Andrea were the only subjects tested with Rh positive with all other subjects Rh negative, resulting in Father #3 as the blood father. Introduction Table 1: Possible Child Blood Types Table 1: Possible Child Blood Types The purpose of this lab is to determine which father is the blood father of the child. The mother, Andrea, and three other fathers were tested by their blood type and Rh factor to determine the blood father. The ABO blood test determines the blood type of subjects by the alleles IA, IB, and i. The blood alleles IA and IB are codominant over i, meaning both of the alleles are dominant over the recessive i. The antigen with the Rh factor is determined by D as dominant or d as recessive, with the Rh positive factor as dominant and the Rh negative factor as recessive. In the ABO blood test, synthetic blood samples and synthetic serum of Anti-A, Anti-B, and Anti-Rh are mixed respectively into a blood typing slide. If agglutination occurs as the samples are mixed, then the subject’s blood type is the respective A, B, or Rh factor. The father with the most closely related alleles with Andrea is the blood father by testing June, the mother, Andrea, and all the fathers. Methods The container vials with synthetic blood samples each are respectively the mother, the child, Father #1, Father #2, and Father #3. Each of the respective blood samples are used once ever round in the experiment. One of the blood samples is dropped into the blood typing slide under three labels; A, B, and Rh. After applying the blood sample, a drop of synthetic serum blue (anti-A) is dropped into well A. Synthetic serum yellow (anti-B) is dropped into well B. Synthetic serum clear (anti-Rh) is dropped into well Rh. Using the respective colored toothpicks, each well is stirred and checked for agglutination (clotting). The blood typing slide is washed and re-used for the next blood sample. Results Table 2: ABO Test results In Table 2, only Andrea and Father #3 showed agglutination when anti-Rh was mixed with their blood sample. The June and Andrea both showed clotting with anti-B serum. The child showed agglutination in all of the following serums. Table 3: Blood Group Determination Table Table 3 resulted with Andrea’s blood type assumed as AB negative. Father #3 was the only one with a positive blood type. The Child has a Rh group of Dd containing the recessive allele d due to her mother’s Rh group being homozygous recessive dd. Father #3 had a Rh group of D_ followed with an uknown allele because no known factor can support an exact second allele. Discussion Father #3 is the blood father of Andrea because in accordance to the lab results. Andrea was tested to have a blood type of AB positive and the mother as B negative. The only possible blood types of a blood father from the results are blood types AB positive or A positive. Only father #3 showed a matching blood type to the following possible blood types. The lab results supported the fact that father #3’s blood type was most closely related to Andrea’s blood type. References Q, R. (2010, January 5). Paternity testing using ABO blood types is impossible. Retrieved 2010, from Boston Paternity; The DNA Solution Blog: http://www.bostonpaternity.com/blog/paternity-testing-using-abo-blood-types-is-impossible/ Biology 240 Lab Handout, Lab 4: Multiple alleles and the ABO blood type

Individual Project

I was the youngest of my two brothers and one sister, growing up in a small city on the Eastern shore of Maryland. Salisbury is the city name of my hometown. Our father died when I was at the young age of four. My mother who was very strong willed and independent raised all of us on her own after daddy died. She raised us and taught us to do well in school and to make good grades. She instilled in all of us to be very loving and presentable children that respect our elders. We were brought up in the church and taught to say our daily prayers before going to bed at night. Hygiene was a must and cleanliness was a daily routine. My grandson is nine years of age and he also lost his father(my son) at a early age, as we did. He use to come visit me during the summer and on holidays. He is a lovable child that had no will to do his best in anything. His mother is a deaf mute and very uncaring to her children. My grandson and his siblings have been removed from their homes by the State Dept. of Social Services over seven times since he has been born. They were taken away because the mother wouldn’t send them to school, would not keep appointments for their dental work or health checkups and leaving them unattended for more than 24 hours. Because of her neglect my grandson lost all hope of being anybody in his world. He has been placed in foster homes, unknowingly to me over the past three years of his life. The mother is in and out of jail. During her absence from their home has caused so many terrible events. The kids were attacked by a dog that they brought in the house off the streets of Baltimore. His two sisters were raped by friends of their mother. They have gone to bed without anything to eat or drink. I went to Baltimore and rescued my grandson from his mother and that terrible city of Baltimore. My daughter and I have taught him so much since he’s been living with me for the past two years. He now knows how to bathe daily, brush his teeth, match his clothes and shoes and most of all has been on the honor roll for the past two years in school. I’ve filed for custody of him. I’m still waiting for the custody courts to grant me a decision. I’m strongly leaning toward being granted sole custody of him. My children are grown and one of them is deceased. I raised them in the footsteps of my mom raising me. This venture has been very stressful for me at times, but I’m not going to give up on him. I’m at the age of 55 and starting all over again raising a child. I’m overjoyed because my grandson is safe and well taken care of and very much loved. Neglect is one of the main reasons for early age deaths of many children who are raised in the inner cities. Evidence and witnesses are needed to win a custody case. Even though the decision that the courts and custody hearings, I feel that I should be awarded sole custody of my grandson.

Reasons for Returning to School

Reasons for Returning to School Dolores Hutt ENG 121 Instructor Vanessa Martin January 15, 2012 Reasons for Returning to School After careful thought and consideration, I made the desire to return to school into a realistic goal. I had finally come to the conclusion, that it was time to take control of my circumstances, rather than continue to let my circumstances control me. For the first time in twenty years, I have a window of opportunity to fit a degree program into my daily schedule. Returning to school had always been a desire of mine, but in the past, I did not think I had the time or the money to pursue a degree. I was a single mother, I was working all of the time, my children were very young, and half of my wages went to daycare expenses. Seven years ago I made a decision to pursue a career in Massage Therapy. When the opportunity presented itself to enroll in an accelerated Diploma and State licensing program for Massage Therapy, that was only going to take one year, I jumped on it. Looking back, I realized how fast a year can go by and how easy it was for me to turn a desire into a concrete accomplishment. Having a career in Massage Therapy for the past six years has been a rewarding experience; it has given me that sense of contribution to society and to my community. I have taken much pride in accomplishing my career goals so far, however, through my experiences with working for corporations, businesses, and having my own business, I realize that I am still missing that important element: a business degree. Having gone through that year in school to get my career going, the experience gave me the confidence to overcome the thinking, that I did not have the time or money to pursue a degree, I now believe that the benefits of a degree will far outweigh any outcome of not having it. The benefits of having a business degree to enhance my career are; that a degree will add credibility to my desire to take my career to the next level, and it will open more doors and options concerning high level job positions. I can talk about experience all I want, but at the end of the day, when it comes to running a business, or getting an executive to listen o my ideas, that will help the industry flow more efficiently, I believe that having a degree will help me to be taken more serious. It will also help me take a break from the labor to pursue the creative and business end of things. I am hoping that this degree program will help me to develop the skills I need to keep a successful business running, an d give me the credibility I seek. My first step after obtaining my business degree will be to get a management position in a corporate setting, so I can get the experience I need to have my own company and employees. I believe that a Degree in Organizational Management will help me to accomplish that goal. Experience, though valuable and relevant, is no substitute for a short cut. I have realized that regardless of experience, if I want to be taken serious, having a degree will open doors and add more opportunity and credibility to any experience. So pursuing a degree at this point in my life has become a priority. Returning to school had always been a desire of mine, but in the past, I did not think I had the time or the money to pursue a degree. Any obstacles I had in the past are no longer there. I have an excellent support system at home, a loving and supportive fiancee of six years, a two income household, my career allows me to work part time and make the same amount of money as I did working full time in the past, so I get to spend more time at home, and my children are much older now so daycare expenses are a thing of the past. This online university program offers so much flexibility and affordability, that I really have no excuse to not execute this with full force. For me, the timing is perfect; the time it will take to complete this degree program is short when I compare it to time wasted by not having a degree. I have done this before and I know I can do it again. I keep my goals and plans right in front of me. I know that with perseverance, planning ahead, and just staying positive, that pursuing my degree will be another accomplishment that I can be proud of, and then I can keep moving forward in my life with confidence and ease. I am no longer at the mercy of my circumstances, I have taken control back, and returning to school is exactly where I need to be right now.

Country and Rap Music Essay

The types of music that people listen to are very diverse. Country and rap music are just two of these types of music and the composition of audience that listen to these types greatly vary. The primary reason is that country music is commonly identified with white people who live in the countryside while rap music is commonly associated with black people living in urban cities. For the most part, rap music is relatively a new type of music as compared to country music which, as a result, makes it more appealing to the younger generation. The older generation, on the other hand, are more inclined to listen to the type of music that grew up with, especially country music. One of the unique features of rap music is the way in which the lyrics are vocalized. The sound of rap music usually involves the rhythmic speaking of rhyming lyrics dubbed with the so-called â€Å"beats†. The beats are usually created separately through the use of percussions and other synthesizers. On the other hand, country music usually involves distinct guitar picking patterns with a slightly â€Å"blues† feel. More often than not, country songs involve the use of acoustic guitars although there are instances when the electric guitars are also used in certain parts of the song. The way in which the lyrics are sung is melodic, aptly cohering with the chord pattern of the song. Most country songs are easy to listen to since country music is less of the aggressive type, so to speak. These songs usually tell the story of the country life where the days are reminiscent of the outdoor life close to nature. There are also times when country songs express the love affairs of individuals. But unlike other forms of music, country music is â€Å"a more gentle approach to putting emotions† into music, in a manner of speaking (Lewis, p. 44). Rap music, on the other hand, usually expresses the experiences of an individual in the suburban or urban areas. Most of rap songs commonly involve the narration of how a young black American has to survive and rise to meet the challenges of surviving in a cruel society. These songs also have become stereotyped as the music of young people with a rebellious attitude who are part of violent gangsters in local neighborhoods. Thus, it is not hard to identify rap music as an aggressive type of music. Because of the wide generation gap between the time when either one of the two gain much prominence, there is likewise a great deal of difference between rap and country music in terms of its audience or followers. Rap music, being a relatively new type of music emerging and gaining prominence only in the later part of the 80s—with the exception of the theory that the origins of rap being traced as far back as the time when African-American slaves were chanting rhymes while doing work—the composition of its audience can also be said as younger (Sullivan, p. 613). On the other hand, country music has been around long before the birth of rap music. That being said, a large part of the those who listen to country music belong to the older generation although, of course, it can also be said that there are also young people who listen to country music. Not surprisingly, a portion of those who listen to country music may likewise be composed of those who live in the countryside since they can easily relate to the messages behind each country song. The same can also be said about rap music; those who live in more urban areas have the tendency to lend their ears to rap songs as they can easily relate to the message of most rap songs. For example, the rap songs of the artist â€Å"50 cent† may appeal more to younger people who reside in cities and other urban areas whereas the country songs of Johnny Cash may appeal more to older people who live in the countryside. However, these comparisons do not necessarily mean that there are no countryside people who listen to the rap songs of 50 cent or that there are no urban people who listen to the country songs of Johnny Cash. The point is that it is more likely for urban people to easily associate themselves with the songs of rap artists whereas it is more likely for countryside people to easily relate themselves to the songs of country artists. Rapping can also be done without the accompaniment of any musical instrument. It can even be done in simple impromptu gatherings in common places such as in local streets in the neighborhood. As for country music singing, it is difficult to say if a song is sung in a country music style without the accompaniment of musical instruments such as guitars. At the least, a singer would have to need a guitar in order to sing a country song or to make the song sound â€Å"country† in a recognizable way. In more recent times, rap music has been gaining a steady stream of following from the public with the increasing prominence of several rap artists. Country music, on the other hand, has been kept alive by several younger artists although the likes of Johnny Cash and his generation of country musicians have kept a steady support from the public listeners through the years. If there is one similarity between the two distinct musical genres, it has to be the fact that both country and rap have become cultures on their own. Rap music has become a culture tat has been embraced by individuals which, as a matter of fact, has even resulted to certain divisions among its musicians—the so-called East and West sides. Likewise, country music has created its own sense of culture manifested in the rural areas. Works Cited Lewis, George H. â€Å"The Creation of Popular Music: A Comparison of the ‘Art Worlds’ Of American Country Music and British Punk. † International Review of the Aesthetics and Sociology of Music 19. 1 (1988): 35-51. Sullivan, Rachel E. â€Å"Rap and Race: It’s Got a Nice Beat, but What about the Message? † Journal of Black Studies 33. 5 (2003): 605-22.

Analyse and research a complete full length documentary film (from the Essay

Analyse and research a complete full length documentary film (from the list); be sure to cite specific examples from within the film - at least two major scenes should be analysed in detail - Essay Example In this film, Morris deviates from the usual features of a documentary and uses a non-narrator approach and a dramatic technique, so that he can depict the thin blue line between appearance and truth, a line that can either result to justice or injustice. Morris diverges from the usual norms of documentary films and follows an expressionistic rendering of the testimonies. First, in this film, a clear narrator does not exist, and instead, Morris relies on his viewers to digest the testimonies fed to them, so that they can ascertain the truth. He prefers to call his film a â€Å"non-fiction feature† than a documentary (Hunter 1995, p.65). The viewers become the narrator, because they have to sift through the material of testimonies provided to them (Hunter 1995, p.65). Chapman (2009) believes that this self-reflective nature of the film helps viewers to find the truth (p.p.24). Second, the film is constructed using dramatic techniques. Williams (1998) asserts that Morris abandoned â€Å"cinema verità © realism† for â€Å"studied, often slow-motion, and highly expressionistic re-enactments of different witnesses’ versions of the murder† (p.383). These re-enactments define the difference between the truth and biases. The editing and sequencing, using cuts and diverse symbolic items, such as newspaper clippings, the Dallas map, â€Å"Voluntary Statement† and the TV schedule, depict meaning through what these objects mean and how people use them to attain their purposes. When Adams signs the â€Å"Voluntary Statement,† he believes he offered the truth. For the homicide detectives, this statement, however, becomes a confession for his crime. Ponech (2005) believes that the map stands for the inability of Adams to understand the corruption of the justice system (p.85). The map stands for the irony of being lost in a society, where deception and scapegoating undercut