Monday, September 16, 2019

Poetry and Wright Essay

The poetry of Judith Wright conveys a strong sense of ? Australian Identity’. This is evident though Wright’s strong connection to the sea, using descriptions and personifications of the sea. Wright’s ? Australian Identity’ is firmly established through poetry with her use of ideas that have become synonymous with the Australian stereotype: what people recognise as being uniquely ? Australian’. This includes the description of the stereotypical Australian beach scene and the attitudes shown by the surfer and even the surf in the poem: characteristics recognised as ?  typically Australian’. These features of her poetry have established Wright as a truly ? Australian’ poet. The surf, â€Å"grey-wolf sea† sitting on the â€Å"whitened pebbles and shells† are images that are recognised as Australian and part of the Australian identity. The surfer too is instantly recognisable as typical Aussie character. He is described as â€Å"brown† and he has â€Å"muscle† ? he is the stereotype of the bronzed, muscular surfer. The use of these ideas that have become typically Australian show Judith Wright as an Australian poet which in turn reflects the Australian identity. Judith Wright has a strong connection to the Australian beach, and the ideas she conveys through her poetry are very much steeped in nature. This link to the Australian sea immediately distinguishes Wright as an Australian poet. The Australian connection to the sea and surf is reflected in the repetition of â€Å"muscle† to describe both the surfer and the wave expresses the surfer’s connection to the wave and to nature. This connection is further emphasised by the personification of the wave through â€Å"long muscle of water†. The bond of both the surfer and Wright to the sea defines Wright as Australian and reflects Australian’s strong links to the sea. ?Australian’ traits are not shown only by Wright herself, but by characters in her poems. In The Surfer, Wright uses assonance (â€Å"those† and â€Å"foam†) to describe the wave. This has the effect of creating a long and lazy piece of sound imagery for the reader. The laconic nature of the wave is the same as the typical Australian ? laid back’ spirit giving Wright’s poetry an Australian flavour and such contribute greatly to Wright’s recognition as being an Australian poet.

Sunday, September 15, 2019

How do feminists explain inequality between the sexes and how do they seek to remedy it?

Feminism is the only ideology that believes that gender is a form of discrimination, if not the strongest of social boundaries compared to race, status, and nationality. For this reason feminists focus on gender inequality and the specific roles that men and woman lead in every day life as a result of gender discrimination. Feminism can be traced back to 1405 in the book by Christine de Pisan's â€Å"Book of the City of Ladies†. This book contained the basic skeleton of thought that is present in modern day feminism, as it celebrates and highlights women and their contribution through out history, similar to cultural feminism. This clearly shows that from long ago there has always been a demand for equal rights between the sexes. In the last century many schools of feminist thought have emerged as a result of this question of equality and many different remedies have also come as result. Today feminism is an ideology that has a very broad horizon, which is only normal for an area as vast and amorphous as gender. Liberal feminism emerged in the 1850's and was the school of thought that dominated first wave feminism. Liberal feminism is the belief that focussed on woman enjoying the same rights as men, and for this reason first wave feminism focussed on the public sphere of politics. Liberal feminists believed that the problem was in the political sphere of life, as woman at the time were literally not allowed in the public sphere of life. The British suffrage movement lead by mother and daughter Emmeline and Christabel Pankhurst in the 1903 organised many forms of protest that were aimed at achieving the goal of the female vote. The feminists at the time thought that gaining the vote would be the most important right that women needed, and as a result the other gender divides in society would disappear. For this reason it is understandable to see why feminists at the time thought gaining the vote would solve inequality between the sexes as the external rights would affect everyday life, and internal affairs. Legislation was the only way that woman could gain the vote, and bring equality. Once the bill had been passed than it would be the responsibility of the ruling body to implement and protect that laws and this would mean woman having the same protected rights as men, or so they thought so. The methods that the suffragettes used to achieve this ranged from handing out leaflets, chaining themselves to property, and even to the use of hunger strikes. These methods no doubt gained media attention, but not necessarily positive media attention. However these forms of protests did increase awareness among other woman, and also inspired others to join the movement as well. The movement grew through out the 19th century, and had the clear focus of gaining the vote. Despite woman's obvious contribution to society it was only until the start if the First World War when they could prove they were just as capable as men were. When the war was over and won in 1918, woman over the age of thirty were given the right to vote in 1920. This right to vote was given for many reasons, woman had proved that they could do the men's jobs, and were just as capable. Also the government realised that as growing power in the world, the British workforce would be stronger if women were a part of the workforce as well. The voting franchise was further extended to woman aged 18 in 1928. The goal of first wave feminism had been achieved, woman had the vote and but this caused the movement lose the impetus. But it was clear that inequality still remained between the sexes, gaining the female vote had raised the political status of women slightly, but failed to achieve the original goal of bringing equality between the sexes. . The feminist movement did not stop here, but instead the opposite happened, feminists had to look at the bigger picture and not just rely on one piece of legislation to solve inequality. Where did inequality start? How is it maintained? But mostly, if gaining the vote didn't end equality than what would? These questions were the main focus of second wave feminism, which emerged decades later in the 60's. Second wave feminism aimed at achieving the goals that first wave feminism failed to achieve, and for this reason the movement this time was dominated by a more contemporary approach, radical feminism. In 1963 Betty Frieden wrote â€Å"The feminine mystique†, and the first chapter was called â€Å"The Problem With No Name†. This problem was what most women were going through at the time. Trying to live up to the perfect images of a housewife, but at the same time feeling empty and not knowing their true identity. The problem with no name took the idea of true liberation for woman. If woman were liberated in their personal lives, and then this in turn would liberate in the public sphere. Betty Frieden stressed on the message that women should not coup themselves up at home, and should broaden their horizons through striving for true liberation. Radical feminists like Kate Millett took this new perspective of focussing on woman's everyday lives further, when the concept of patriarchy was discussed in her book â€Å"Sexual Politics† written in 1969. Patriarchy literally means rule by the father, but feminists use this term to describe men's general dominance in society. Radical feminists believe that patriarchy is how men maintain the position over women in society. When looking at patriarchy radical feminists like to focus on everyday relationships between men and women. For example when a woman irons her husband's clothes, this can show how men for their own benefit use women and also how woman are confined to the house. It also shows that patriarchy starts from the home, and is built in the family structure â€Å"rule by the father†. Women are socialised into believing that they are inferior to men, they are socialised to be weak, and as Simone de Beauvoir said â€Å"Woman are not born they are made†. Thus the only way to get rid of patriarchy is summarised in the statement â€Å"The personal is the political†, meaning woman should liberate themselves in their personal lives as well. Gaining the vote didn't bring equality, because patriarchy starts from the family (the heart of society), patriarchy is maintained through socialisation, and patriarchy in turn shapes society. The radical feminist Shulasmith Firestone looks at how women are biologically weaker than men, and how this makes it possible for men to dominate women. She argues that woman have the ability to have babies, this links to menstruation, breast- feeding, and childbirth, which are all disadvantages as they limit what a woman can do in her life. These biological characteristics also take away large amounts of freedom from women. One of the reasons why woman are mostly in low paid, part time work, is because they have other commitments at home. Most of the high well-paid jobs, are dominated by men, this may be because of the gaps in employment that woman take when pregnant and so fail to get promoted. Her solution to this is to defy women's nature with the aid of modern technology. Ideally women should have complete control over their ability to give birth and this will mean that children will be born outside the womb. However women taking control of their biology will only be the first step towards women being completely in control of every aspect if their lives. Radical feminism goes against Liberal feminism in one way, liberal feminists believe that the state and legislation is the solution to gaining equality. However radical feminists believe that the state is used as a tool that keeps women in an inferior position in society. Radical feminism also believes in the concept of sisterhood, and this is shown through how Shulasmith Firestone, stresses that the biological family is present in all societies. Showing that all women are suffering, and weak as a result of their biology. This is why radical feminists believe that woman should all be united in their struggle, against men, and towards true liberation. Sisterhood is important to radical feminists, as it strengthens the movement, and woman will be able to seek strength in each other rather than rely on men. The other schools of feminists thought that have come about after the 60's is Marxist feminism, which focuses on how woman are abused by the capitalist system. Marxists feminists like Sue Sharpe states that women are used as a surplus labour force ready for to be used and disposed of easily. Also that women are drained of their energy and time, through maintaining the present workforce (their husbands), and also at the same time rearing the future workforce (their children). Marxist feminists stress on how woman are used and abused in both the home and the workplace, and men dominate both environments. Another school of feminist thought is ecofeminism, which looks at the link between nature and females. Ecofeminists like Van Plumwood believe that the world would be a better place if women were in charge. The reason for this is that woman innately are more caring than men, they have they ability to raise children and nurture human life. Ecofeminists also focus on the state of the world today, pollution, global warming, the dumping of toxic wastes, and other environmental issues. But some feminists argue that this form of feminism is reactionary, meaning that it takes woman backwards away from progress, as it is taking the female role back to biology. This is similar to pro-womnism that also focuses on the positive side about women's role to reproduce. These two schools of thought would clash with radical feminist who believe that women are handicapped due to their nature. Black feminism is a school of feminist thought, which mixes race with gender. It is the argument that white woman dominates the feminist movement and political scene mainly. This may be true as it was the middle class women, that had the time and the money to involve themselves in politics, and they were usually white. New feminism can be viewed as the third wave of feminism but it hasn't really come crashing like the other two previous waves. Maybe because the movement has passed its use but feminists would argue that the movement still has its aims. New feminism believes in breaking the link between the personal and the political hence â€Å"the personal is less political†. This has been done because many women are put off by the obtrusive nature of the slogan. The statement shows that new feminism is trying to make women more comfortable with being feminists. This is ideal for women who do not want the their public life to mix with their private life. New feminism also looks at issues like abortion, pornography, which are controversial and affect woman greatly. This shows that it is not the end of the line for feminism because women constantly face new problems in a modern growing society, and need organisations that will help them. The feminist movement has changed greatly through out the past century, and no doubt a great deal has been achieved. Feminism by having these different stages has shown the world that it is almost evolutionary, and will be around for a longer time. Organisations like NOW are one of the biggest in America, and lobby a vast range of issues concerning women. Women today are still benefiting from the work of the past feminists, in areas of education, work, and politics. Overall the feminist movement has been a success, a remedy for true equality and liberation may not of been found yet. But instead many have been put forward, which have caused women to think further and also think for the future of â€Å"personkind† as well.

Saturday, September 14, 2019

A Game of Thrones Chapter Twenty-eight

Catelyn My lady, you ought cover your head,† Ser Rodrik told her as their horses plodded north. â€Å"You will take a chill.† â€Å"It is only water, Ser Rodrik,† Catelyn replied. Her hair hung wet and heavy, a loose strand stuck to her forehead, and she could imagine how ragged and wild she must look, but for once she did not care. The southern rain was soft and warm. Catelyn liked the feel of it on her face, gentle as a mother's kisses. It took her back to her childhood, to long grey days at Riverrun. She remembered the godswood, drooping branches heavy with moisture, and the sound of her brother's laughter as he chased her through piles of damp leaves. She remembered making mud pies with Lysa, the weight of them, the mud slick and brown between her fingers. They had served them to Littlefinger, giggling, and he'd eaten so much mud he was sick for a week. How young they all had been. Catelyn had almost forgotten. In the north, the rain fell cold and hard, and sometimes at night it turned to ice. It was as likely to kill a crop as nurture it, and it sent grown men running for the nearest shelter. That was no rain for little girls to play in. â€Å"I am soaked through,† Ser Rodrik complained. â€Å"Even my bones are wet.† The woods pressed close around them, and the steady pattering of rain on leaves was accompanied by the small sucking sounds their horses made as their hooves pulled free of the mud. â€Å"We will want a fire tonight, my lady, and a hot meal would serve us both.† â€Å"There is an inn at the crossroads up ahead,† Catelyn told him. She had slept many a night there in her youth, traveling with her father. Lord Hoster Tully had been a restless man in his prime, always riding somewhere. She still remembered the innkeep, a fat woman named Masha Heddle who chewed sourleaf night and day and seemed to have an endless supply of smiles and sweet cakes for the children. The sweet cakes had been soaked with honey, rich and heavy on the tongue, but how Catelyn had dreaded those smiles. The sourleaf had stained Masha's teeth a dark red, and made her smile a bloody horror. â€Å"An inn,† Ser Rodrik repeated wistfully. â€Å"If only . . . but we dare not risk it. If we wish to remain unknown, I think it best we seek out some small holdfast . . . † He broke off as they heard sounds up the road; splashing water, the clink of mail, a horse's whinny. â€Å"Riders,† he warned, his hand dropping to the hilt of his sword. Even on the kingsroad, it never hurt to be wary. They followed the sounds around a lazy bend of the road and saw them; a column of armed men noisily fording a swollen stream. Catelyn reined up to let them pass. The banner in the hand of the foremost rider hung sodden and limp, but the guardsmen wore indigo cloaks and on their shoulders flew the silver eagle of Seagard. â€Å"Mallisters,† Ser Rodrik whispered to her, as if she had not known. â€Å"My lady, best pull up your hood.† Catelyn made no move. Lord Jason Mallister himself rode with them, surrounded by his knights, his son Patrek by his side and their squires close behind. They were riding for King's Landing and the Hand's tourney, she knew. For the past week, the travelers had been thick as flies upon the kingsroad; knights and freeriders, singers with their harps and drums, heavy wagons laden with hops or corn or casks of honey, traders and craftsmen and whores, and all of them moving south. She studied Lord Jason boldly. The last time she had seen him he had been jesting with her uncle at her wedding feast; the Mallisters stood bannermen to the Tullys, and his gifts had been lavish. His brown hair was salted with white now, his face chiseled gaunt by time, yet the years had not touched his pride. He rode like a man who feared nothing. Catelyn envied him that; she had come to fear so much. As the riders passed, Lord Jason nodded a curt greeting, but it was only a high lord's courtesy to strangers chance met on the road. There was no recognition in those fierce eyes, and his son did not even waste a look. â€Å"He did not know you,† Ser Rodrik said after, wondering. â€Å"He saw a pair of mud-spattered travelers by the side of the road, wet and tired. It would never occur to him to suspect that one of them was the daughter of his liege lord. I think we shall be safe enough at the inn, Ser Rodrik.† It was near dark when they reached it, at the crossroads north of the great confluence of the Trident. Masha Heddle was fatter and greyer than Catelyn remembered, still chewing her sourleaf, but she gave them only the most cursory of looks, with nary a hint of her ghastly red smile. â€Å"Two rooms at the top of the stair, that's all there is,† she said, chewing all the while. â€Å"They're under the bell tower, you won't be missing meals, though there's some thinks it too noisy. Can't be helped. We're full up, or near as makes no matter. It's those rooms or the road.† It was those rooms, low, dusty garrets at the top of a cramped narrow staircase. â€Å"Leave your boots down here,† Masha told them after she'd taken their coin. â€Å"The boy will clean them. I won't have you tracking mud up my stairs. Mind the bell. Those who come late to meals don't eat.† There were no smiles, and no mention of sweet cakes. When the supper bell rang, the sound was deafening. Catelyn had changed into dry clothes. She sat by the window, watching rain run down the pane. The glass was milky and full of bubbles, and a wet dusk was falling outside. Catelyn could just make out the muddy crossing where the two great roads met. The crossroads gave her pause. If they turned west from here, it was an easy ride down to Riverrun. Her father had always given her wise counsel when she needed it most, and she yearned to talk to him, to warn him of the gathering storm. If Winterfell needed to brace for war, how much more so Riverrun, so much closer to King's Landing, with the power of Casterly Rock looming to the west like a shadow. If only her father had been stronger, she might have chanced it, but Hoster Tully had been bedridden these past two years, and Catelyn was loath to tax him now. The eastern road was wilder and more dangerous, climbing through rocky foothills and thick forests into the Mountains of the Moon, past high passes and deep chasms to the Vale of Arryn and the stony Fingers beyond. Above the Vale, the Eyrie stood high and impregnable, its towers reaching for the sky. There she would find her sister . . . and, perhaps, some of the answers Ned sought. Surely Lysa knew more than she had dared to put in her letter. She might have the very proof that Ned needed to bring the Lannisters to ruin, and if it came to war, they would need the Arryns and the eastern lords who owed them service. Yet the mountain road was perilous. Shadowcats prowled those passes, rock slides were common, and the mountain clans were lawless brigands, descending from the heights to rob and kill and melting away like snow whenever the knights rode out from the Vale in search of them. Even Jon Arryn, as great a lord as any the Eyrie had ever known, had always traveled in strength when he crossed the mountains. Catelyn's only strength was one elderly knight, armored in loyalty. No, she thought, Riverrun and the Eyrie would have to wait. Her path ran north to Winterfell, where her sons and her duty were waiting for her. As soon as they were safely past the Neck, she could declare herself to one of Ned's bannermen, and send riders racing ahead with orders to mount a watch on the kingsroad. The rain obscured the fields beyond the crossroads, but Catelyn saw the land clear enough in her memory. The marketplace was just across the way, and the village a mile farther on, half a hundred white cottages surrounding a small stone sept. There would be more now; the summer had been long and peaceful. North of here the kingsroad ran along the Green Fork of the Trident, through fertile valleys and green woodlands, past thriving towns and stout holdfasts and the castles of the river lords. Catelyn knew them all: the Blackwoods and the Brackens, ever enemies, whose quarrels her father was obliged to settle; Lady Whent, last of her line, who dwelt with her ghosts in the cavernous vaults of Harrenhal; irascible Lord Frey, who had outlived seven wives and filled his twin castles with children, grandchildren, and great-grandchildren, and bastards and grandbastards as well. All of them were bannermen to the Tullys, their swords sworn to the service of Riverrun. Catelyn wondered if that would be enough, if it came to war. Her father was the staunchest man who'd ever lived, and she had no doubt that he would call his banners . . . but would the banners come? The Darrys and Rygers and Mootons had sworn oaths to Riverrun as well, yet they had fought with Rhaegar Targaryen on the Trident, while Lord Frey had arrived with his levies well after the battle was over, leaving some doubt as to which army he had planned to join (theirs, he had assured the victors solemnly in the afterma th, but ever after her father had called him the Late Lord Frey). It must not come to war, Catelyn thought fervently. They must not let it. Ser Rodrik came for her just as the bell ceased its clangor. â€Å"We had best make haste if we hope to eat tonight, my lady.† â€Å"It might be safer if we were not knight and lady until we pass the Neck,† she told him. â€Å"Common travelers attract less notice. A father and daughter taken to the road on some family business, say.† â€Å"As you say, my lady,† Ser Rodrik agreed. It was only when she laughed that he realized what he'd done. â€Å"The old courtesies die hard, my—my daughter.† He tried to tug on his missing whiskers, and sighed with exasperation. Catelyn took his arm. â€Å"Come, Father,† she said. â€Å"You'll find that Masha Heddle sets a good table, I think, but try not to praise her. You truly don't want to see her smile.† The common room was long and drafty, with a row of huge wooden kegs at one end and a fireplace at the other. A serving boy ran back and forth with skewers of meat while Masha drew beer from the kegs, chewing her sourleaf all the while. The benches were crowded, townsfolk and farmers mingling freely with all manner of travelers. The crossroads made for odd companions; dyers with black and purple hands shared a bench with rivermen reeking of fish, an ironsmith thick with muscle squeezed in beside a wizened old septon, hard-bitten sellswords and soft plump merchants swapped news like boon companions. The company included more swords than Catelyn would have liked. Three by the fire wore the red stallion badge of the Brackens, and there was a large party in blue steel ringmail and capes of a silvery grey. On their shoulder was another familiar sigil, the twin towers of House Frey. She studied their faces, but they were all too young to have known her. The senior among them would have been no older than Bran when she went north. Ser Rodrik found them an empty place on the bench near the kitchen. Across the table a handsome youth was fingering a woodharp. â€Å"Seven blessings to you, goodfolk,† he said as they sat. An empty wine cup stood on the table before him. â€Å"And to you, singer,† Catelyn returned. Ser Rodrik called for bread and meat and beer in a tone that meant now. The singer, a youth of some eighteen years, eyed them boldly and asked where they were going, and from whence they had come, and what news they had, letting the questions fly as quick as arrows and never pausing for an answer. â€Å"We left King's Landing a fortnight ago,† Catelyn replied, answering the safest of his questions. â€Å"That's where I'm bound,† the youth said. As she had suspected, he was more interested in telling his own story than in hearing theirs. Singers loved nothing half so well as the sound of their own voices. â€Å"The Hand's tourney means rich lords with fat purses. The last time I came away with more silver than I could carry . . . or would have, if I hadn't lost it all betting on the Kingslayer to win the day.† â€Å"The gods frown on the gambler,† Ser Rodrik said sternly. He was of the north, and shared the Stark views on tournaments. â€Å"They frowned on me, for certain,† the singer said. â€Å"Your cruel gods and the Knight of Flowers altogether did me in.† â€Å"No doubt that was a lesson for you,† Ser Rodrik said. â€Å"It was. This time my coin will champion Ser Loras.† Ser Rodrik tried to tug at whiskers that were not there, but before he could frame a rebuke the serving boy came scurrying up. He laid trenchers of bread before them and filled them with chunks of browned meat off a skewer, dripping with hot juice. Another skewer held tiny onions, fire peppers, and fat mushrooms. Ser Rodrik set to lustily as the lad ran back to fetch them beer. â€Å"My name is Marillion,† the singer said, plucking a string on his woodharp. â€Å"Doubtless you've heard me play somewhere?† His manner made Catelyn smile. Few wandering singers ever ventured as far north as Winterfell, but she knew his like from her girlhood in Riverrun. â€Å"I fear not,† she told him. He drew a plaintive chord from the woodharp. â€Å"That is your loss,† he said. â€Å"Who was the finest singer you've ever heard?† â€Å"Alia of Braavos,† Ser Rodrik answered at once. â€Å"Oh, I'm much better than that old stick,† Marillion said. â€Å"If you have the silver for a song, I'll gladly show you.† â€Å"I might have a copper or two, but I'd sooner toss it down a well than pay for your howling,† Ser Rodrik groused. His opinion of singers was well known; music was a lovely thing for girls, but he could not comprehend why any healthy boy would fill his hand with a harp when he might have had a sword. â€Å"Your grandfather has a sour nature,† Marillion said to Catelyn. â€Å"I meant to do you honor. An homage to your beauty. In truth, I was made to sing for kings and high lords.† â€Å"Oh, I can see that,† Catelyn said. â€Å"Lord Tully is fond of song, I hear. No doubt you've been to Riverrun.† â€Å"A hundred times,† the singer said airily. â€Å"They keep a chamber for me, and the young lord is like a brother.† Catelyn smiled, wondering what Edmure would think of that. Another singer had once bedded a girl her brother fancied; he had hated the breed ever since. â€Å"And Winterfell?† she asked him. â€Å"Have you traveled north?† â€Å"Why would I?' Marillion asked. â€Å"It's all blizzards and bearskins up there, and the Starks know no music but the howling of wolves.† Distantly, she was aware of the door banging open at the far end of the room. â€Å"Innkeep,† a servant's voice called out behind her, â€Å"we have horses that want stabling, and my lord of Lannister requires a room and a hot bath.† â€Å"Oh, gods,† Ser Rodrik said before Catelyn reached out to silence him, her fingers tightening hard around his forearm. Masha Heddle was bowing and smiling her hideous red smile. â€Å"I'm sorry, m'lord, truly, we're full up, every room.† There were four of them, Catelyn saw. An old man in the black of the Night's Watch, two servants . . . and him, standing there small and bold as life. â€Å"My men will steep in your stable, and as for myself, well, I do not require a large room, as you can plainly see.† He flashed a mocking grin. â€Å"So long as the fire's warm and the straw reasonably free of fleas, I am a happy man.† Masha Heddle was beside herself. â€Å"M'lord, there's nothing, it's the tourney, there's no help for it, oh . . . â€Å" Tyrion Lannister pulled a coin from his purse and flicked it up over his head, caught it, tossed it again. Even across the room, where Catelyn sat, the wink of gold was unmistakable. A freerider in a faded blue cloak lurched to his feet. â€Å"You're welcome to my room, m'lord.† â€Å"Now there's a clever man,† Lannister said as he sent the coin spinning across the room. The freerider snatched it from the air. â€Å"And a nimble one to boot.† The dwarf turned back to Masha Heddle. â€Å"You will be able to manage food, I trust?† â€Å"Anything you like, m'lord, anything at all,† the innkeep promised. And may he choke on it, Catelyn thought, but it was Bran she saw choking, drowning on his own blood. Lannister glanced at the nearest tables. â€Å"My men will have whatever you're serving these people. Double portions, we've had a long hard ride. I'll take a roast fowl—chicken, duck, pigeon, it makes no matter. And send up a flagon of your best wine. Yoren, will you sup with me?† â€Å"Aye, m'lord, I will,† the black brother replied. The dwarf had not so much as glanced toward the far end of the room, and Catelyn was thinking how grateful she was for the crowded benches between them when suddenly Marillion bounded to his feet. â€Å"My lord of Lannister!† he called out. â€Å"I would be pleased to entertain you while you eat. Let me sing you the lay of your father's great victory at King's Landing!† â€Å"Nothing would be more likely to ruin my supper,† the dwarf said dryly. His mismatched eyes considered the singer briefly, started to move away . . . and found Catelyn. He looked at her for a moment, puzzled. She turned her face away, but too late. The dwarf was smiling. â€Å"Lady Stark, what an unexpected pleasure,† he said. â€Å"I was sorry to miss you at Winterfell.† Marillion gaped at her, confusion giving way to chagrin as Catelyn rose slowly to her feet. She heard Ser Rodrik curse. If only the man had lingered at the Wall, she thought, if only . . . â€Å"Lady . . . Stark?† Masha Heddle said thickly. â€Å"I was still Catelyn Tully the last time I bedded here,† she told the innkeep. She could hear the muttering, feel the eyes upon her. Catelyn glanced around the room, at the faces of the knights and sworn swords, and took a deep breath to slow the frantic beating of her heart. Did she dare take the risk? There was no time to think it through, only the moment and the sound of her own voice ringing in her ears. â€Å"You in the corner,† she said to an older man she had not noticed until now. â€Å"Is that the black bat of Harrenhal I see embroidered on your surcoat, ser?† The man got to his feet. â€Å"It is, my lady.† â€Å"And is Lady Whent a true and honest friend to my father, Lord Hoster Tully of Riverrun?† â€Å"She is,† the man replied stoutly. Ser Rodrik rose quietly and loosened his sword in its scabbard. The dwarf was blinking at them, blank-faced, with puzzlement in his mismatched eyes. â€Å"The red stallion was ever a welcome sight in Riverrun,† she said to the trio by the fire. â€Å"My father counts Jonos Bracken among his oldest and most loyal bannermen.† The three men-at-arms exchanged uncertain looks. â€Å"Our lord is honored by his trust,† one of them said hesitantly. â€Å"I envy your father all these fine friends,† Lannister quipped, â€Å"but I do not quite see the purpose of this, Lady Stark.† She ignored him, turning to the large party in blue and grey. They were the heart of the matter; there were more than twenty of them. â€Å"I know your sigil as well: the twin towers of Frey. How fares your good lord, sers?† Their captain rose. â€Å"Lord Walder is well, my lady. He plans to take a new wife on his ninetieth name day, and has asked your lord father to honor the wedding with his presence.† Tyrion Lannister sniggered. That was when Catelyn knew he was hers. â€Å"This man came a guest into my house, and there conspired to murder my son, a boy of seven,† she proclaimed to the room at large, pointing. Ser Rodrik moved to her side, his sword in hand. â€Å"In the name of King Robert and the good lords you serve, I call upon you to seize him and help me return him to Winterfell to await the king's justice.† She did not know what was more satisfying: the sound of a dozen swords drawn as one or the look on Tyrion Lannister's face.

Friday, September 13, 2019

Filing Jointly Financing phase 5 IP Final Essay

Filing Jointly Financing phase 5 IP Final - Essay Example It is only applicable for first and second home, not for afterwards. The tax benefit from this deduction is that if one is paying interest on loans which are secured by their residence as principal, then the person can deduct this expense from the taxable income. 3. Student Loan Interest Deduction: student loan deduction covers the interest expense of the loans that have been taking to be only used for attainment of education. If your income and interest payments meet the conditions set in the deduction form, then you are able to deduct the expense form your income, thus saving a certain amount of taxes. 1. Child Credit: child credit reduces the tax liability of a person if he/she is supporting a child, and the person's income and other requirements as given in the child credit form are fulfilled. The child credit can make the tax liability zero or can even result in payment if the income tax is less than the child credit refund (known as additional child tax credit). The tax advantage for this system is that it works to increase your net income through refund gained. 2. Earned Income Credit: earned income credit is for those families who have low gross incomes (lower than a certain limit), and with a high number of dependents. If a family meets the requirements of this credit, than its tax liability can be reduced to zero, or can even result in a payment to the family if the tax refund s larger than the income tax (known as advanced earned income tax credit). This system also increases your net income. 3. Hope Scholarship Credit: hope credit can be claimed by an individual for the first two years of college education. The requirements that the person or any other person (for which the taxpayer is responsible) is at least a half time student at an eligible educational institution. This credit is taken on only tuition fees and any other college requirement fees (registration fees, lab fees etc.). Books and supplies are not included. This tax credit also increases the net income of the person who is paying for the education (tax information for individuals, 2009). Difference between a Tax Credit and a Tax Deduction A tax deduction has the primary purpose of reducing a taxpayer's income tax. For certain itemized item, a taxpayer is allowed to deduct the expenses from its gross income. This can only be done if the requirements of deductions as stated by the Internal Revenue Service of USA are met. The effect of deducting the expenses from the gross income is that the net income is calculated to be mush smaller than it actually is. This allows for smaller amount of income tax to be paid by the taxpayer. Thus the amount of taxes is reduced. Some examples of tax deduction are medical deduction, home interest deduction, dental deduction etc. As opposed to tax deduction, a tax credit does not reduce the net income. Rather, it works in two ways. One, it reduces the tax liability on certain items by recognizing a part of the payment already made as tax payment due. Two, it recognizes certain items as such on which the taxpayer is refunded, if the requirement of tax credit are met by the taxpayer. If the income tax is greater than the tax

Thursday, September 12, 2019

Mplementing PACS and RIS system in radiology department in Amiri Assignment

Mplementing PACS and RIS system in radiology department in Amiri hospital in Kuwait - Assignment Example The systems were also aimed at positively impacting the department’s ability to deal with software and hardware issues that had been a major set back in the department for many years. PACS and RIS system were introduced in Amiri to check the entire systems for errors and backups, to install IMPAX workstations and RIS clients, to configure and modify AGFA products requirements and to have additional modalities to RIS and PACs (Bushong, 1997, p. 67) By implementing the RIS and PACS system, the radiology department of Amiri hospital will be in a position to take appointments for a number of modularity like CT scan, angiography MRI m Ultrasound and fluoroscopy. By the end of the implementation process, the system will be best placed to link the whole Amiri hospital system and will easily process all the hospital staff and patients more so radiology and radiologists pecialists’ information. Following the lengthy, troublesome and stressful experience by patients and the staff in the Amiri radiology department as a result of the old process that the hospital was using which proved to be time consuming and exacting, the management had to seek appreciate alternatives like the RIS, HIS and the PACs systems (Bushong, 1997, p. 83). By implementing the PACS and RIS system correctly, the hospital hoped to attain maximum efficiency of the two systems. The experience in the hospital is expected to be efficient and pleasant after the implementation. PACS and RIS will be able maximize CR and DR effects to meet the current radiology expectations. The implementation of PACs and RIS is expected to receive some objections from the staff after the introduction but this will change as soon as the implementation is over and done correctly ensuring the hospital and especially the radiology department is on the desired track. When applied

I don't know yet Term Paper Example | Topics and Well Written Essays - 2000 words

I don't know yet - Term Paper Example Jazz music is a renowned form of music and it attained huge acceptance and reception at the time of its initiation till date. Jazz has the legacy to turn and immune people through its massive and colossal impact. The inception of this form of music took place at Southern States of America. Throughout then, Jazz music has influenced the masses and it has emerged in all parts of the world. African Americans basically introduced this form of music in the 20th century. This form is also known as the duet of European and African music forms. After its commencement into the music industry, different musicians of the world added various numerations to it so that it would be more delightful and enjoyable. The purpose of this paper is to signify the radical changes that have been made to Jazz music through its inception till date. How this field emerged and what momentous impact this has brought to the society. It also discusses the essential diversification in various counties, development phase in Africa and the modern jazz conception these days. The paper does not discuss only the historic perspective but it gives a horizon to grasp the real essence of jazz music. The origins of jazz music inception can be tracked down into the year 1808 when a large majority of slaves came to United States. These slaves brought their cultural norms, traditions and values into America and mystical music form was one of it. They observed the scenario prevailing in United States regarding music and for cultural collision; they developed a unique and prestigious form of music. This form of music was widely accepted among the masses due to its elegant tone and melody. People were easily able to grasp the true spirit of this music. This was a big success by the African immigrants (Thompson, p.29). The duet of African, European and American music was the real innovative thing brought from this music. African slaves visited festivals of America to

Wednesday, September 11, 2019

Human Resources- Understanding Job Satisfaction, Commitment, & Term Paper

Human Resources- Understanding Job Satisfaction, Commitment, & Employee Retention - Term Paper Example All these three aspects are interrelated to each other. If job satisfaction is positive then it leads to strong organizational commitment and this may result in high level of employee retention. If there is negative job satisfaction, the employees will reduce their commitment towards work and organization which ultimately results in high level of turnover rate. In this paper, details of job satisfaction, organizational commitment along with employee retention have been discussed succinctly. The paper also covers the relationship between the three factors in a precise way. Finally, the paper is enclosed with a few concluding lines about the entire topic. 2.0 Job Satisfaction Job satisfaction is the result of emotional reaction related to the specific job situation. The satisfaction is dependent on the level of outcome of the job that means whether the employees can meet the result or exceed their expectations. Job satisfaction turns to be negative when the rewards are less and this ma y result in negative attitude towards the job (Tella & Et. Al., 2007). Job satisfaction is the affective response of an employee; therefore it can be a source or may be related to high productivity. It is a fact that â€Å"the satisfied worker is the productive worker†. Thus, satisfaction level of the worker is extensively related to the performance and quality of work. However, various studies have shown that satisfaction or dissatisfaction has no relation to the productivity of work. Satisfied workers may or may not be high producers and those employees who are high producers may not be interested in their jobs. Job satisfaction and dissatisfaction may not result in explicit behavior such as positive or negative influence in productivity, grievance, absenteeism, turnover and others. It may depend upon the personal characteristics of an employee that may be his or her personality and prospects for self expression lying on the job (Smith, n.d.). 3.0 Commitment Organizational commitment has been defined in various ways by Beckeri, Randal and Riegel (1995). It is considered as a strong aspiration of the employees to be a member of a particular organization. It is also defined as high level efforts that can be applied by employees for the organization and the employees’ acceptability related to the values as well as goals of the organization. Organizational commitment is associated with several factors such as personal factors, for example, age, professional periods in the organization, external or internal ascription. The other factors are organizational factors and these encompass job design, leadership style; and other non-organizational factors consist of availability of substitutes (Tella & Et. Al., 2007). According to Mowday, Porter and Steer (1982), organizational commitment is considered as an attachment and loyalty. There are three components related to organizational commitment which involve identification related to the goals as well as s tandards of the organization, desire to be associated with the organization and finally, an eagerness to show efforts for the organization (Mowday & Et. Al., 1982). Organizational commitment can also be termed as the power of the recognition of an individual and his attachment within the